| I wanted to do something with the Greenman aspect
of the Celtic god, Cernunnos, since the last harvest celebration of the year, Samhain, is
His Festival. To accomplish the Greenman aspect, I needed a face mold. The ruffle on one
face mold was perfect, but the mask was too small. So I combined it with another mask mold
I had handy. I used a glass surface to work on with a sheet of typing paper underneath as
a rough guide for sizing the tile. |
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| I wrapped the larger face mold with plastic
because I learned, from other list members, paper has a mighty grip when it shrinks while
drying. The plastic wrap was to insure removal from the mold wasn't an impossible task. It
worked quite successfully! I placed a length of plastic wrap about the size of a sheet of
typing paper over the mask with the ruffle and then fit the larger mask on top of the
ruffle. |
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| Now the fun part. Being a mean little kid, I loved
this cuz it was like playing in mud!!! I grabbed a handful of cattail fluff pulp and
placed it onto the mold. I gently poked it with my finger to blend each glop with the
previous one and did not pay much attention to shape at this point. I just made sure
everything on the mold was covered completely and glopped (technical term *grin*) out the
general shape and size of the tile. |
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| After glopping all the cattail fluff onto the
mold, I soaked some dried bulrush pulp until it was malleable. I didn't whirl it in the
blender to repulp it, I left it in the little snippets of paper it had dried into for
storage. I pulled the pieces that were too thick apart and randomly placed torn bits here
and there. I was hoping for contrast and was most pleased with the finished results! |
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| Now I needed to pull out as much moisture as
possible without losing the malleability of the pulps. I used a makeup sponge because of
it's absorbent quality, its smooth texture and its smallness - giving me control. I
started in the middle of the tile on the face and would blot, squeeze out the water into a
bucket, blot, squeeze and so on until I had pulled up as much water as possible from the
entire tile. |
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| Occasionally, the blotting would pull the pulp
apart, so I dipped my finger into the bucket and glopped on a small wad, jabbed it gently
with my fingertip to blend it in and reblotted the area. |
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| After I finished blotting, I smashed my thumbs
into the eye sockets and squidjeed them around (another technical term) to push some pulp
into eyebrows and define the eye sockets more. I pinched along the outer edges of the
eyebrows to give them more definition. |
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| I pushed my fingergips along the sides of the nose
to define the nostrils and used my fingernail to shape where the holes should be. |
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| Finally, I felt for the lips on the mold below
then used my fingernails to form the upper lip in the general location. After forming the
upper lips, I gently pushed below where I wanted the lower lip to be to make the pulp
raise a little above my finger while pressing the pulp under my finger a bit thinner. |
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